Horse introduction

Horse introduction

Horses tend to feature high on any list of most popular animals, usually just behind dogs and cats. And no wonder. Our relationship with them goes back for many thousands of years. Horses were first domesticated in Asia between 3000 and 4000 BC. Back then, horses were used mostly for milk and meat, before being used as the powerhouse for agriculture and transport for adventurers through the centuries.

But how do you capture their beauty, strength and spirit without rendering every hair?

In this course you will learn the techniques and approach to painting horses in loose and lively watercolour. We will work together step by step in a full-length demonstration of this equine portrait.

 If you have enjoyed this course and share the work you've done on it, please make sure to tag me on social media (@lizchaderton on Instagram and /lizchadertonartist on Facebook) so I can get to see it too! It would be great if you could say that it is from this course, as that helps spread the word.

If you are not a member already, why not join Watercolour Studio over on Facebook? https://www.facebook.com/groups/694706731930461 And finally, you should not exhibit or display pieces completed on this course without my written permission, to comply with copyright law. I really look forward to seeing what you do. 

Painting horses in watercolour

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Introduction

  • Horse introduction
  • Materials required3

Warm up exercise - silhouette

  • Horse silhouette2
  • Materials required
  • Background example
  • Silhouette reference
  • Silhouette exercise
  • Silhouette duo example
  • Silhouette purple example
  • Silhouette alternative colours example

Warm up exercise - moving pigment

  • Horse - moving pigment2
  • Materials required
  • Horses head silhouette reference
  • Profiles example
  • Moving paint tools - example sheet

An equine portrait - planning

  • Planning
  • Horse reference photo2
  • Eye reference
  • Thumbnail
  • Horse alternative reference2

An equine portrait - starting with the eye

  • Portrait - starting with the eye
  • Materials required
  • The eye starts to emerge
  • The rest of the face

An equine portrait - mane and body

  • Mane and body
  • Mane using cling film
  • Working back into the mane

An equine portrait - background

  • Portrait background
  • Painting the background 1
  • Painting around the nose

An equine portrait - second layer

  • Adjustments in the second layer2
  • Colour sanding on the nose
  • Working on the mane

An equine portrait - finishing touches

  • Finishing up1
  • Close up of sgraffito
  • The final painting5